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Our Guide to Ethical Indigenous Art

Posted on February 6, 2023October 28, 2024 by defynsamartsv3
Image: Joy Nabegeyo holding a large marebu (sold), woven by fibre artist Charlene Bangarr; photo: Hannah Dayman.

FEBRUARY 2023: Our guide to ethical Indigenous art

Art produced by Indigenous Australians is an undeniable pillar of Australian culture. Gaining enormous traction in recent years, the market for Indigenous art has grown rapidly both locally and internationally.

With it so has a market for inauthentic Indigenous ‘style’ designs.A recent report by the Productivity Commission found 60% of Indigenous art purchases made within Australia were inauthentic and mass-produced internationally. Further,  80% of what is marketed as Indigenous ‘style’ art was identified as fake. Recent initiatives such as the Fake Art Harms Culture campaign and an Australia Council for the Arts submission have made several recommendations to combat inauthentic art, however there is no current legislation specifically making sale or purchase illegal.

The Indigenous Art Code (the Code) explain how the negative effect of purchasing such art goes far beyond misleading purchasers. Misappropriating Aboriginal and Torres Strait Islander culture undermines their role in communities, denies the artists important economic opportunities and recognition, and puts ethical businesses at a disadvantage. In an industry worth upwards of $250 million a year, this is a huge loss for the communities that buyers are intending to support.

So how do you know whether the art that’s sparked your interest is authentic and ethical?

First, do your research

Art fairs and online marketplaces such as Trading Blak, Tarnanthi, and the Darwin Aboriginal Art Fair (DAAF) have become hubs for ethical purchasing of Indigenous artworks, directly representing artists and art centres across Australia.

In addition, advocacy bodies such as Association of Northern Kimberley and Arnhem (ANKA) and Desart monitor the industry and provide support to Indigenous artists and Aboriginal owned art centres.

Another indicator to look out for is whether your seller is a member of the Code. Members of the Code are committed to the ethical sale and purchasing of Indigenous art and abide by its approach to transparency.

Second, ask questions

Below are some questions your seller should be able to answer:

–       Who is the artist?

–       Where is the artist from?

–       How did you get the artwork or product in your gallery or shop?

–       How was the artist paid for their work?

–       If it is a reproduction of an artist’s work, how are royalties or licensing fees paid to the artist?

If any alarm bells are ringing during your transaction, it’s always best to ask.

Marrawuddi Arts and Culture is a proud member of the Code and ANKA organisations. All art purchased through Marrawuddi is purchased and sold with full transparency and in alignment with such governing body regulations. If you have any questions, please reach out!

PDF: FEB 23_Ethical_art_guide

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The Marrawuddi timeline

Posted on November 3, 2021September 21, 2024 by defynsamartsv3
The Marrawuddi timeline

Click the image below to have a read on where it all began!

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Jabiru in Mirarr hands at long last

Posted on October 16, 2021September 21, 2024 by defynsamartsv3
Jabiru in Mirarr hands at long last

Jabiru in Mirarr hands at long last
Aboriginal title secures Jabiru for investment

The Mirarr Traditional Owners are very happy and proud that the long fight for recognition of traditional ownership at Jabiru has culminated in the grant of freehold title under the Aboriginal Land Rights (Northern Territory) Act.“This is a great day for Mirarr people,” said Mirarr Senior Traditional Owner Yvonne Margarula. “The handing back of Jabiru to Mirarr recognises our land rights here and gives us economic independence. We are excited for the future of Jabiru and for the future of all our people,” she said.

The Minister for Indigenous Australians, Hon. Ken Wyatt MP, the Minister for the Environment, Hon. Sussan Ley MP, the Chief Minister of the Northern Territory, Hon. Michael Gunner MLA, and the chairperson of the Northern Land Council, Sammy Bush-Blanasi, joined Mirarr, other traditional owners and the community to celebrate the milestone.

The fight for land rights at Jabiru commenced in 1978 when the town was built on what was then Crown land without the involvement of Traditional Owners. The senior Mirarr elder at the time, Toby Gangale, is the father of today’s Senior Traditional Owner Yvonne Margarula. In 1998, Ms Margarula lodged the Jabiru native title claim which was decided by the Federal Court in 2016 after one of Australia’s longest-running native title matters.

At an early stage, the Mirarr confirmed their wish that Jabiru should become Aboriginal land and have a bright future as the centre for regional services, tourism and for all Kakadu. The Mirarr acknowledge the role of the NT government in providing critical support early by becoming the key partner in Jabiru Kabolkmakmen Ltd in July 2019 (JKL). In August 2019, the Northern Territory government and the Traditional Owners were also joined by the Commonwealth of Australia and the mining company Energy Resources of Australia Ltd in signing the landmark Memorandum of Understanding on the Future of Jabiru and Kakadu. The Mirarr are proud of their leadership in securing this significant commitment to the future of both Jabiru and Kakadu.

“Today marks an historic milestone in the economic transition of Jabiru from a mining economy into a world leading tourism centre, acknowledging, respecting and celebrating local Aboriginal culture. Mirarr look forward to welcoming more people to Jabiru, to experience country and cultural heritage,” said Justin O’Brien, CEO of Gundjeihmi Aboriginal Corporation (GAC). While acknowledging the historic importance of the land grant, Mr O’Brien said the challenges ahead for Jabiru should not be underestimated. “The most significant challenge for Jabiru has been created by ERA., which has failed to engage in a timely manner on the town’s transition. Unfortunately, ERA houses are not ready and there are at least 70 ERA houses now vacant. The performance of ERA and its majority shareholder, Rio Tinto, will be judged in coming months,” Mr O’Brien said.

The cost of ERA’s outstanding housing works at Jabiru is estimated to stand at some $25M, based on condition assessments conducted by the Australian Government in April 2020.

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Robyn Nabegeyo in Salon De Refusés

Posted on October 16, 2021September 21, 2024 by defynsamartsv3
Robyn Nabegeyo in Salon De Refusés

2020, Ochre on pandanus weaving
130 x 130 cm

“I was born in Darwin. When I was little, I stayed with my mum and dad in Madginbardi. Then, when I was 16/17, I came to Gunbalanya and got married. I’ve been here ever since.

I have been weaving for 22 years. I learned from my great grandmother, my mum’s grandmother. She used to make marebu (mat), big one. I started practising when I was young and tried on marebu, dilly bags and baskets. I wasn’t very good but when I was 20, I started getting better, doing my baskets and dillybags, string bags and floor mats. Old people, long time ago, were painting like this, mimih, djenj (fish), kinga (crocodile) — we call that bim (rock art). I picked up the idea of painting on the dilly bag from the old people. I get the ochre from outstation, Mandedjkadjang, my homeland.”

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Alicia Mardday shortlisted to NATSIAA

Posted on October 16, 2021September 21, 2024 by defynsamartsv3
Alicia Mardday shortlisted to NATSIAA

In July 2021 saw Alicia Mardday accepted into 2021’s National Aboriginal and Torres Strait Island Awards for her incredible 3D weavings of backpacks.

“I used to make string bag first before, with the feather. My aunty, Ngal bulanj Nabegeyo, she taught me how to weave.

Maybe my kids give me idea, Anita. My kids really love the backpacks weavings. I look at the backpacks my kids have and try weave same pockets. I just used it from my own mind, I get the kala from my partners homeland.

I grew up, Namagardabo outstation. I met my partner Timothy out in Gunbalanya and moved there I moved there in 2001, when my first daughter was born, Anita. I learnt how to weave from my Aunty, Ngal bulanj Nabegeyo. I like going fishing with the kids, collecting pandanus and weaving. I like weaving lots of different things but mostly flowers and backpacks.”

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North x Marrawuddi x Injalak Stone Country Collection

Posted on October 6, 2021September 21, 2024 by defynsamartsv3
North x Marrawuddi x Injalak Stone Country Collection

Stone Country, brings together the work of over five artists from West Arnhem Land and Kakadu, representing their rich culture of over 65,000 years. Deriving from Bim (Rock Art), the West Arnhem Collection explores themes of spiritual and ancestral beings from all represented artists’ homelands and Djang (dreaming stories). Their chosen works all communicate traditional painting methods through ochre and Rarrk (crosshatching), complemented by emerging artists work with contemporary ink methods.

A collaboration with Marrawuddi Arts and Culture and Injalak Arts.

See more here.

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Marrawuddi Opening Event

Posted on October 10, 2020September 21, 2024 by defynsamartsv3

Marrawuddi Arts, owned and operated by Gundjeihmi Aboriginal Corporation on behalf of the Mirarr Traditional Owners, opened today at beautifully refurbished premises in the heart of Jabiru. An exciting occasion in itself, today also signifies a new chapter in the Mirarr-led transition of the town of Jabiru.

Mirarr Senior Traditional Owner Yvonne Margarula invited guests to today’s opening event with these words:“Join Mirarr to celebrate the beginning of this new chapter in Jabiru: for community, country and culture.”

Mirarr Traditional Owner Simon Mudjandi said: “Today is the start of a new and exciting chapter for Jabiru and Kakadu. With the opening of this beautiful new Marrawuddi Arts Centre, Jabiru’s transition from mining town to an Aboriginal owned community centre and tourism hub really begins.”
Previously located at the now closed Bowali Visitors Centre (at Kakadu National Park headquarters), Marrawuddi has been a popular destination for tourists and locals looking to find a beautiful souvenir or gift for many years.

In recent times, nurtured by the clear vision and strong commitment of Mirarr and the gallery management team, Marrawuddi has evolved to become a community arts centre working closely with local artists. In September 2019, Marrawuddi coordinated local and interstate artists to paint a stunning mural on the external walls of the old bakery building in anticipation of the move. This visual transformation signals the change that is coming for Jabiru once a formal township lease commences in 2021.

“Marrawuddi Arts is a truly exciting next step for us,” said Marrawuddi Manager Katie Hagebols. “We have been working closely with artists from across the region to develop their arts practice for some time. The bigger spaces at this new site will mean we can offer welcoming areas for artists to work as well as a larger retail area and more central location for tourists to find us.”

“With our new café and LaMarzocco espresso machine we’re also offering Kakadu’s best coffee. Visitors and locals alike should come and have a great coffee and spend some time admiring the marvellous West Arnhem art available at the gallery,” Ms Hagebols said.

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Marrawuddi Opening – Off The Leash

Posted on September 29, 2020September 14, 2024 by defynsamartsv3

https://www.offtheleash.net.au/features/visual-arts/2020/09/jabiru-calling

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Marrawuddi Gallery move to Bakery building signals renewal of Jabiru

Posted on July 24, 2020September 21, 2024 by defynsamartsv3
Marrawuddi Gallery move to Bakery building signals renewal of Jabiru

The Marrawuddi Gallery, owned and managed by Gundjeihmi Aboriginal Corporation on behalf of the Mirarr Traditional Owners, will relocate in September this year. Marrawuddi is the first business to move into new premises as part of the post-mining transition of the town of Jabiru.

The gallery at Bowali Visitors Centre (Kakadu National Park headquarters) has been a popular destination for tourists and locals looking to find a beautiful souvenir or gift for many years. In recent times, nurtured by the clear vision and strong commitment of Mirarr and the gallery management team, Marrawuddi has evolved to become a community arts centre with more diverse space needs.

“When the bakery became vacant we knew it was the perfect location for Marrawuddi Arts” said Marrawuddi Manager Katie Hagebols.

“We have been working closely with artists from the region to develop their arts practice for some time. The bigger spaces at this new site will mean we can offer welcoming areas for artists to work as well as a larger retail area”

The Commonwealth, Northern Territory and the mining company Energy Resources of Australia signed a Memorandum of Understanding with Gundjeihmi in August 2019 securing the Mirarr Vision and Masterplan for Jabiru. The Masterplan will see Jabiru become the focal point for all visitors to Kakadu making the move to town the obvious choice for the gallery.

In September 2019 Marrawuddi coordinated local and interstate artists to paint a stunning mural on the external walls of the old bakery building in anticipation of the move. This visual transformation signals the change that is coming for Jabiru once a formal township lease commences in early 2021.

“Marrawuddi Arts is the first cab off the rank as the Jabiru region transitions to a Mirarr-led post-mining future. This vibrant Aboriginal-controlled arts centre embodies so much of the future direction of Jabiru and will be a hub for locals and tourists alike” Ms Hagebols concluded.

You can check out the full article from Off The Leash’s July issue or here.

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Recent Posts

  • Our Guide to Ethical Indigenous Art
  • The Marrawuddi timeline
  • Jabiru in Mirarr hands at long last
  • Robyn Nabegeyo in Salon De Refusés
  • Alicia Mardday shortlisted to NATSIAA

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